Collaborating at a distance

It seems that there is a lot of collaboration done at a distance these days. I wonder how this is the changing the impact collaborative practices have, not only on the artists or those co-producing but on the impact of the project?

There is certainly a lot more opportunity that comes with collaborating at a distance. The ability to work independently, to a more flexible time scale perhaps? To talk to and connect to other artists in a way that’s less confrontational or at a different pace

When I lived in Dorset and I worked a lot of with Sally Lemsford in person, we were fairly reactive and when we met up in person, I think perhaps, we were well aware of the challenges of time and work and life and we made decisions then and there, and quite often work too!

Now I’m in Gloucester and she is in Worthing we meet up and collaborate in different ways - online and via screen mainly. We do challenge ourselves to find ways to collaborate that are different and use the digital capabilities we both possess to our advantage. This has certainly meant we have played with social media and online residencies more. We are able to reach more people through instagram, especially zine focused artists. But I can’t help but feel those interactions have lost impact in some way or that we are feeling part of a sea of content and other tiny interactions. The punch of the impact and the imprint has faded. How we we get that back through collaborating at a distance? How do we keep interesting conversations going but follow it up in tangible ways, ideally ways in person?

Responsive Residency, Online from a far!

Just in Case Library - A Mobile Zine Library

Alongside Sally Lemsford I am joint head library and we are taking part in an online Instagram residency in the first two weeks of March.

We are responding to each other via Zine pages. The idea of having a limited time frame in which to produce the page and limited materials really appealed to us as zine makers and we have put these rules of engagement in place:

Title: GARBLE - Purposeful and deliberate misinterpretation

Rules of Engagement:

- Make a 30 min response, which starts with the action of looking at the previous post

- Use the sized card as a starting point ( 31.8 x 17.4cm) keep the external measurement / boundary but the rest is up for interpretation - Must use Landscape

- Sally to focus on purple

- Megan to focus on yellow

- Other materials should focus on elements that fasten or connect - i.e pipe-cleaners / Zips / Threads / tape

Outcome: Combine the physical responses made during the residency into a zine for the Just in Case Zine Library.

Find out more about After Illusion Here: https://issuu.com/afterillusion

Follow our residency here: https://www.instagram.com/afterillusion/ from 1 - 14th March.

If you want to buy a copy of the zine afterwards, drop us an email justincasezine@gmail.com

Through a Screen...

Recently several opportunities have come my way to run online workshops or teach or engage a group of people through a screen.

It’s an interesting prospect in many ways, sometimes it can feel a bit like a performance. I wonder if actors feel this way when they are making a film or series. Do they worry about how it will be viewed, or do they do their job and trust the editors and producers will worry about this? Is it part of their job.

I’ve always been conscious when leading workshops that there is a sort of performance or front that get’s put on, sometimes unconsciously but mostly consciously. I’ve found it difficult to get out the mind set of ‘they’ve paid to see a show!’

I think about ways I approach workshops as a participant, really just with an open mindset and willing and keen to learn new things. Maybe I change my approach to suit this. Trying to find ways to overcome this to reroute my approach to workshops as a guide or mentor or really just a listener sometimes. How can I approach workshops on a screen, through a screen in this way?

If you feel like this too - let me know, perhaps we can share ideas or chat about it over a virtual cuppa.

Performance through a Screen

Image taken from a Charity Shop in Cardiff.

https://www.instagram.com/meg_dunford/

The Alchemy of making a meal for yourself - Cooking is magic, Recipes are Spells.

After a brief spell of spending a bit of allotted time with family over Christmas for a day, we find ourselves back in the middle of another Lockdown. I hope, if you’re reading this you are ok and finding ways to keep your fears and negative thoughts at bay and your head above water.

I am working from home and although I am missing the time I can spend smelling and watching the wonderful dishes being prepared at Thistledown Cafe - where I work part time, I am finding comfort through bringing this into my own kitchen.

When we were permitted in shops, in December, I made a dart for it. Safely pinging in and out of my local charity shops, as my desire for cooking has led me to want to grow my cooking book library! I have a few that I have inherited or given as gifts to my partner, because I secretly wanted them to reside in our house. I have attached images of the best finds from recent searches Including:

Anna Jones - The Modern Cook’s Year

The Hairy Bikers’ - The Mediterranean Adventure

Nigel Slater - The Christmas Chronicles

I have never met or witnessed a live talk or demonstration from Nigel Slater, but there is something about him that’s as heartwarming as the recipes that are carefully placed on the pages of his mammoth offering; The Christmas Chronicles. I first time I became aware of this book when my mum asked for it for Christmas the year it was published - I most likely get my love of Nigel Slater from her. The pages have beautifully taken photographs that speak of the sheer warm fuzzy feeling you get from being in the depths of winter preparing for Christmas. Vintage ornaments, brown paper packaging, thick pie crusts. It feels like you are walking through an exhibition of winter, (and those of us that love it!) all the special feelings that match.

Another thing I have been moved to without really consciously thinking about it as I get older, but especially during lockdown is the gathering of recipes and scrapbooking them. Again, a hobby I most likely have inherited from my mother, but there is nothing really I can think of, that brings me more pleasure than making a huge cup of tea on a Sunday morning and rifling through piles of cooking or supermarket magazines to rip out recipes and re-masking tape them into scrapbooks. You have to be strategic about it of course, I only pick up the free ones with my Waitrose Card, in Coop when I pop into the post office (it’s at back of the shop) or sometimes when supermarkets offer those little recipe cards.

If you’re ever stuck for ideas, which is almost impossible with the internet these days - but if you are stuck and you can’t face scrolling through a screen - then make a recipes scrap book, better yet - make a recipe zine! Your very own one with ideas from all those you have collated. Embellish it with wonderful drawings of the things you’ve cooked, add notes about what worked, what didn’t - alternatives ingredients to try. Photocopy and post to 5 people that bring you happiness when you hear their name!

I will be making a Zine of this kind and more to feature in The Just In Case Zine Library - a creative endeavour that myself and fellow chief Librarian Sally Lemsford are undertaking, after much talking about it over 2020! Follow our creative capers via The Just In Case Zine Library Instagram, exciting Zines for Sale, Online (and eventually in person) Events and more to follow as we get together virtually and make Zine related fun happen!

Feel free to drop me an email or DM me on Instagram with your own Cooking related Scrapbooking or Zine collections!

Audio Postcards from The South West Coast Path ...

This will be what Maddie Rock from Corfe Mullen, Dorset will be doing for In Jolly Good Company over the next 2-3 months! Maddie is walking 630 miles from Minehead to Poole. You can read more about Maddie’s journey and why she is making this fantastic journey on the news pages of In Jolly Good Company’s website.

Maddie will be sending us Audio postcards along the way, so we get a real feel for how she is feeling on her journey. If you feel inspired to support Maddie, you can DONATE and all the proceeds will go towards In Jolly Good Company and all the work they do!

Audio Postcards is an ongoing project that is run in collaboration with In Jolly Good Company and Megan Dunford. It’s initial phase was supported by Activate Performing Arts

Audio Postcard design.png

WORLD LISTENING DAY: RE-WALKING A WALK WE WALKED

Last Saturday (18th July) for World Listening Project Sally Lemsford Jo Burlington and myself re-walked a Bridport to West Bay walk we designed for last year's Pop-up Fringe.

We talked about many things, SEAFAIR, the changes that have happened in the last 10 months, what we want to do going forward individually and supporting SEAFAIR.

Here in an Audio piece that was made to reflect the walk.

Changed map

Micro-Commission for AUDIO POSTCARDS

Audio Postcards - The comfort and connection of the human voice.

Audio Postcards is a project that is being developed by Dorset Based artist Megan Dunford in collaboration with North Dorset charity; 'In Jolly Good Company' 

Megan feels honoured to be one of the recipients of the Activate Performing Arts Micro-commission and is working closely with Sarah Rampton the Director of In Jolly Good Company to bring rurally isolated older people a feeling of comfort and connection during a challenging time.  

" Audio Postcards are a great way to say ‘I’m here for you’ without saying it. Their simplicity is what makes them special - just a 90-120 second recording of someone’s perspective. They are really fascinating and uplifting to listen to and show the power of connection and the comfort of the human voice. I'm really humbled and excited to be working with Sarah and her Jolly Days attendees. I hope that those that take part in the project will start to feel part of the much loved and missed Community that Sarah and her team at 'In Jolly Good Company' have worked diligently to create. "

Megan Dunford - Artist

“In Jolly Good Company is extremely excited to be collaborating with Megan Dunford. We look forward to discovering the joy her 'Audio Postcards' will bring to our Jolly Guests and many other isolated people across Dorset.” 

Sarah Rampton - Director - In Jolly Good Company


Audio Postcard #2

Minevino Murge is the site of my second Audio Postcard. This week I found myself in a different location in the small hilltop town. Like many things, when I find myself in a different location, I am offered an alternative perspective. I hope you enjoy this second installation of Audio Postcards. I would to receive an Audio Postcards in Return and to start sharing them!

If you would like to send them my way, simply record an audio postcard in a location you go to… you only need 2 mins, then email it or share it to me via Direct Message on Instagram, you can choose to add an image or not.

Thanks for listening.

Audio Postcard #2

Audio Postcard #2

Audio Postcard #1

Audio Postcards was born out of a frustration with a lack of time to make work. But with wanting to share a memory or feeling of a place in a creative way. The day to day can get me down. I came here to teach and to progress my understanding of communication, that is happening. But perhaps not in the way I had anticipated. So if I work I am making has changed - I therefore must change the way I make my creative work.

Audio postcards is a way for me to share my findings and experiences with you. I hope you enjoy it. If you’d like to send one in return - all you need is a recording device (most Smart phones have perfectly good ones) and my email address…. meg7989@gmail.com

Audio Postcards #1

Audio Postcard #1

By Megan Dunford

Finding the Fun in being Flexible

Recently I was reading a Guardian article about MOMA, you know - the one in New York. The article stated that the new $450m expansion and reopening of the gallery will enable many fantastic things - that I won’t list here, you can read it for yourself.

However the one thing that struck me above all others was the flexibility of the space and of how the works will be hung, not periodically for the most part, but perhaps more contextually. Artists from different periods of history, art movements and countries will be displayed alongside each other. I think this is a much needed development and although not the first time a major gallery has made this change, I think it’s more relevant now than ever!

Since starting as a TEFL teacher almost a year ago, my thinking about context has changed dramatically and although I don’t enjoy being ‘flexible’ I’m starting to think that it’s the only way forward and how we can get things done with the limited amount of time we have.

The future is completely uncertain and all the ideas I had in my head, let’s say, three years ago are becoming more elasticated. Changing shape. I struggle with the idea of flexibility and giving my precious time over to people especially employees makes me anxious. I am all too aware that it’s a privileged position to be in, to be able to make the choice for yourself about your work time and how you allocate it. But now and not for the first time (but for the first time in a while) I find myself in a not so flexible situation or perhaps…. rather a very malleable one indeed.

Starting a new TEFL job again and this time in Italy, I have found it difficult to get ideas going knowing that potentially at any minute I might have to stop what I’m engrossed in and go to a lesson - the strange thing is in previous jobs like this - where I could have been called in at any minute I don’t recall ever feeling this anxiousness. Perhaps being in a new place, not on ‘home' soil’ gives a different impression and I feel a lack of confidence when it comes to standing up for myself?

But having thought over this for the last few weeks I have realised that the only way to move forward is to embrace it and realise that the ‘right time’ may never come along and I can’t wait for it! Now, I could be persuading myself rather than owning up to the fact that perhaps this job is not for me but it offers me many things I do enjoy; The chance to work and live in another country, to teach a topic I love and to support young people in an educational environment. I realise that I have been so focused on building a career for myself, wanting jobs that will push me upstream in the right direction and are linked to my personal interests, that I haven’t really stopped to look at how those jobs have made me quite unhappy in other ways.

I listened to a really good podcast the other day, Letters from a Hopeful Creative. In episode 23, the presenters Sara Tasker and Jen Carrington talk to a business women who is afraid her idea of business is never going to happen - now I know that I am only 30, but this too is something that crosses my mind all the time. I have so many ideas about what I want to create in the future and it feels like, so little time to realise them. But if I keep telling myself this, the future is exactly where my ideas are going to stay for eternity, dangling at the end of a imaginary stick like a well formed perfect carrot and I am the donkey that will be forever chasing them. In reality I have to grow some pretty crap carrots before I know that perfect fully formed, sweet tasting one will come along.

I’m very good at putting the blame onto other people. It’s their fault I haven’t realised my dreams yet of owning my own social enterprise or starting a podcast because they are giving me too much work to do. But in fact they are employing me - paying me to do something I’m good at for money! Also it’s up to ME to sometimes take the ownership and say, this is just too much for me and I need more time or less work.

We have to be flexible in our planning, our thinking our making. To utilise those moments in between. Read 15 mins of your book in your lunchbreak if you’re too tired in the evening. Keep a sketchbook in your pocket for ideas that pop into your head. Download and listen to that podcast that will change your thinking whilst you travel to work. There are many ways to make these things happen it just depends how much we really want them and how we plan our time. Also I have realised that I can’t wait for everything to be perfect, because you can bet when I have the perfect studio and the perfect 3 day a week job and the right materials - the ideas will dry up and the drive won’t be there. If you have ideas, you have to make them happen NOW. Don’t wait for perfection, it doesn’t arrive at your doorstep, you make it through hard work and many, many mistakes.

I am so interested in fact in this idea of perfection and mistakes and careers that are grown from them that my podcast will be on this. Art of the Unplanned will feature guests that have arrived at creative careers - all kinds of creative - I’m talking artists, musicians, teachers, poets, writers, educators, designers, dancers, actors, chefs, gamers… there are so many ways to be creative and I can’t wait to talk to people and broaden my knowledge - your knowledge too.

I want to talk to people about their first steps, the wrong steps and where they think those steps eventually led to… and where they may lead in the future. Creative careers are carved and moulded, full of twists and turns, encounters with interesting people and unusual circumstances.

What may feel like a mistake at the time, may turn out to be marvellous.

Art of the Unplanned will launch in the NEW YEAR. There I have said it now. So I have to do it - if you see me hold me to account for it OR tell me to hold myself to account!

Communication at the Core.

It’s a well known fact that non-verbal communication and body language are consciously and subconsciously utilised more when trying to understand what someone is really saying.

During the 4 months I was working with children ages 4-14 body language and none verbal communication became such an important factor in the way we understood each other.

As you get to know one another the communication becomes easier and the little looks they do between themselves or slight movements in their chair can say so much. Being able to have TEFL experience especially with young people has made me realise how much I focus on communication - how important it is for our everyday ability to navigate through life. In fact in most cases I can think of, when there has been a problem, a disagreement or a lingering issue it normally comes back to poor communication.

It also made me start to think about what interests me, what’s important in my life and within my own practice. When I look back at projects I have devised or planned and work I have made that still resonates with me - running through it is a channel of communication. Whether it’s been me or my artwork trying to communicate with the viewer, or the notion of playing with communication or using it as a jumping off point…

I feel like loose ends are coming together and I have made peace with the fact that I have many interests I can necessarily squeeze them all into one box and label it ‘my artistic output’. But doing this TEFL course and the experience of teaching English instead of teaching art or drama has shown me just how highly I regard communication - in all it’s forms.

So now I am on a hunt and research phase. I have an open studios event coming up in September and there is nothing like a deadline to focus the mind. My recent travels have given me wonderful material starting points but what I really need is some good reading!

So if anyone knows of any interesting books, videos, podcasts, audio clips, essays, ted talks…etc that I can start to draw from to get my creativity ignited please recommend! No idea is too distant or ridiculous and everything will be carefully considered.

Email me - meg7989@gmail.com with ideas or DM me on Twitter or Instagram.

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Communication in all its forms.